Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

Oct 11, 2012

Frankenweenie [2012]


Frankenweenie is the newest Tim Burton production, inspired by a 1984 short film he made for Disney, but ended up being rejected. It tells the story of Victor,a young man passionate about science and his dog, Sparky, who also is his best friend. When it dies, the kid suffers, but after an inspiring and interesting lesson of mister Rzykruski, the science teacher, he decides to bring his dog back to life by using electricity. He keeps him a secret, but after a classmate finds out, more youngsters decide to do the same with their pets and things get out of control when some don't turn out to be as cool as Sparky.

* Before going into details, let me explain the conditions of my viewing. 9 am, got there late, I was very hungry, slightly sleepy, and the very cold room I was in made me feel very uncomfortable and again, sleepy, so I might not be the best or most objective reviewer, especially when it comes to my overall opinion.

Moving on to the actual film, Frankenweenie is Tim Burton's return to his golden age; he comes back to a more interesting, less flashy side of art, and creates a funny, yet dark story for people young at heart. Although the entire process of making the movie is long, complicated and intricate, the setting and direction seem to be quite simple and smooth. It doesn't try to be more than it is, visually speaking, because it puts the focus on the story and the characters, but doesn't stop in offering the viewer a visually beautiful film, in all its darkness and simplicity, and the black&white definitely helps put across the story better.

One of the strong points were definitely the characters- they are awkward, they are quirky, and they are dark, but somehow you feel for them and understand their actions, although it's not something you see day to day. My favourite has to be the Weird Girl and her furry white cat- they stole the show for me (can we have a spin-off, mister Burton?). The science teacher, Edgar and Elsa are also highlights, in great cast.

But here's my problem and overall observation. Is Frankenweenie a good film? Yes. Is it very well made, with good direction and script? Yes. Is it visually beautiful? Yes. Was I excited about it afterwards? No. Did it touch my heart or move me emotionally? No. Do I think ParaNorman is better? Yes. Why? Because ultimately, it's funnier and more appealing.

In the end, do I recommend Frankenweenie? Yes, but only because it's Burton at its finest and it will probably be one of the animations most people will see this year.

Jan 28, 2012

Easy going Saturday: 2 in 1 edition!

Since it's Saturday, a day in which we all should just relax, I decided to recommend two movies, two sweet Romantic Comedies, from different eras, with totally different actors and storyline, but equally charming and sweet! I always think that too much drama can wear you down, so, from time to time, I prefer these kinds of movies and you should give it a try, too! 

I saw Sabrina and Morning Glory a long time ago, but I still have some of the things I wrote down after viewing them, so here you go!

Sabrina [1954]

„It’s all in the family”

Sabrina, the 1954 version, is such a lovely film, mostly due to its beautiful scenery, the music, the direction and most of all, the actors.

There aren’t words to describe my admiration or love for Audrey Hepburn: she is the incarnation of imperfect perfection. So beautiful, elegant, graceful, sweet, but determined and displaying amazing talent every time she hits the screen, you can’t help fall in love with her. I love the fact that you can tell every emotion on her face; you can understand her and what she is feeling just by examining her posture, her manners, and the way she talks and looks away. She does that so effortlessly that I wonder if anyone can top that. Here, as Sabrina, she lights up every scene and moves you in which way she wants, playing the part of a shy, lonely girl to the T.

Humphrey Bogart is a wonderful actor and no one can say otherwise, but for me he is always so tight, so stiff. I understand, he is a real man, with posture and grace, in control of everything, but I wish I could see more of him, different reactions.  He, as well, gave a great performance and made us understand his character, but I wasn’t convinced. Maybe it was just this part...I don’t know!

As I remember other classic 50s movies I saw, I can’t help realise that it is all about the performance and the actors. In those times, you didn’t have much to go by, in terms of special effects, scenery etc, so the screenplay and the director had to relay on the actors....and in so many ways, it made the movie more interesting, at least for me, it did.

Sabrina is a beautiful movie, and I am sure the Audrey Hepburn lovers and the romantics will love it even more! Enjoy!

Morning glory [2010]

Morning Glory is a beautiful, simple, smartly written romantic comedy in which Rachel McAdams stars as a young workaholic woman who has to deal with the problems that her new job throws at her.

Simple, yet not entirely predictible, it captures the viewer by its fast pace, funny situations and loveable characters. I admired the fact that it wasn’t all about the girl who ends up with the boy, it was much more about the development of the characters, their interaction, especially the non-romantical ones (Diane Keaton and Harrison Ford are especially entertaining). 

It’s an easy choice for a late afternoon or girls night. You should give it a shot, it’s worth it!


What other romantic comedies or nice, normal, entertaining movies do you recommend? What have you seen lately?

Jan 14, 2012

Shame[2011/2012]


[SPOILER ALERT- I discuss most of the important scenes, but don't give out the ending]

Today I finally saw Shame- I have been anxiously waiting for it for over 6 months and now, that my wait is over, I can actually talk about it and say my opinion, I don't have to read about it anymore (so many articles and spoilers out there, I stopped reading after a while).

First of all, let me just say this is a very good movie- quality and beauty in every aspect of it: acting, music, directing, cinematography etc. Yet again, Steve McQueen takes this movie ten times over its potential and it's old news to me now the absolutely fantastic way he directs movies- Hunger was a perfect example and Shame is not only a great follow-up, but you can also see the improvement, the progress he has made. The scenes are much clearer, with more substance and visually more attractive (not that Hunger wasn't, it's just this one is better). I loved the fact that the talks between Brandon and Sissy are mostly shot from behind, the camera over their shoulders, it feels like an intrusion into their conversation, like you are watching a couple fighting in front of you in line. I like the sex scene at the end where he shoots the women and Brandon from completely unusual, different angles, or the way he shot the subway parts. On an end note to the technical, filmmaking aspect of it, I have to mention the use of music or lack of it- the soundtrack and sound editing were appropriate to every situation and gave it more power and sensibility in some cases (the beginning and end part, Brandon's song by Harry Escot, or the New York interpretation of Carey Mulligan's character).


There is so much depth and tragedy in this story and movie that I could talk about. Where should I start? Let's talk about his sex addiction- the thing that struck me is that, not for one moment, did I see pleasure or happiness in his eyes or expression; it felt like a burden, like a automatic thing he is used to do every day, a thing that he can not control and that he needs to do, like eating or drinking. I think one of the main problems of Sissy's appearance is the fact that he can't continue his usual, secret, yet very addictive way of life; that, plus his past relationship with his sister, cause him to derail, to go in such state of misery and desperation, that he gives into all of his fears, in one night of destructiveness that nearly kills him, physically and mentally.

It all started with a failed attempt of having sex with a woman at work he liked; the same one who, 30 minutes before, tried to have normal dinner and conversation with; but he couldn't, because he can't relate to someone, he can't get attached to a human being. Most would say it is because of his addiction, I say it all goes back to his childhood and his family problems. Funny how, after she leaves, the hooker can immediately take him to the edge. He can't get off a possible sentimental fling, but a complete stranger can- after all, he just craves for the act itself, not the person who is with him.

After that failed attempt, he decides to go out and that's when all of his world goes down and we witness one of the most dramatic and disturbing meltdowns in film- some where shocked by the way he blatantly touched a woman in public, others by the gay action in a underground club, but I was surprised by the three-way in the apartment. At first, I was a little disturbed not by the actual scene, but the length of it, I thought it was too much, but it all made sense when he saw Brandon's expression- that pure state of despair, of craziness and loss of control over his body and urges. It looks like it almost hurts, like it could kill him. That was, indeed, shocking and it wrapped up his whole character, finally showing us what he is going through.

The last minutes of the film, of the night, the passing back and forth between his apartment, the club, the subway ride, it was masterfully shot and edited, one of the best scenes I have seen. Kudos not only for McQueen and the cinematographer, but also for Michael.

Because, honestly, you can't say that Fassbender was anything short than fantastic, it was like nothing I have ever seen. At the beginning I was a little skeptical, but that was because of the ordinary, quite boring actions he was put through (the script allowed it), but the second part of the film is truly a work of art. I believe, understand and sympathize with everything he does, I worry for him, I feel his desperation, or his anxiety when he runs for Sissy, and I am 100% with him on the rainy day, near the water. Fassbender deserves a Golden Globe, a Bafta, an Oscar and more. Will he get it? Probably not, the Clooney and Pitts of Hollywood have more charisma and apparent value on the market, but he should be recognized, at least at one of them (probably Baftas).

Another surprise for me was Carey Mulligan- the part of Sissy is very different from what we normally see of her, but she nailed it and gave it so much substance and power. The lovely scene where she sings New York was revealing, at least from my perspective- I felt like her life, personality and story just translated through her eyes and that song, it has hauntingly beautiful. Brandon's relationship with Sissy is hard to define, you can't really tell if he actually loves her, or cares about her, or is afraid. There was definitely something going on between them, but the closest thing to really discovering the truth was the discussion they had on the couch, near the end, and that didn't reveal too much, either. There is tension, there are repressed feelings, and probably love, as well, but Brandon is uncapable of showing his real emotions. It's like he is almost imune to all that is happening in his environment, to his world.

There are so many other things worth mentioning that I probably forgot, little details that made this movie better in so many way- script-wise, performance-wise or something else entirely. I can't disect all of it, but I am sure you will find other blogs who have noticed different aspects of it. After you read this review, go check out the others.

In the end, Shame is the kind of movie you don't like or appreciate immediately after the credits start rolling. I didn't. But then, you start thinking about it, remember certain scenes and then it hits you- that movie was great.... Fassbender was perfect...the subject was interesting and dramatic....the situations were extreme and sometimes pornographic.....but then again it's about sex addiction.....which is almost like a disease, a terrible situation to be in.....wow, that was powerful! I know I wasn't the only one, my friends got out of the theater rather disappointed, but afterwards, we started talking about it and we all realized it is a great movie!

Shame is worth your 10 pounds or 10 dollars or whatever currency you have! Believe the hype! Go see it!

Nov 23, 2011

The Help[2011]


The Help is a wonderful story of a young woman who decides to write the story from the help's perspective during the civil rights movement in the 1960s Mississippi.

Before seeing it, I heard some great things about the cast, but that's it; most of male bloggers didn't particularly enjoyed. After the two and a half hours, I can understand it, as it has a more feminist aproach to it.As you can imagine, I loved the movie; I thought it had everything: amazing performances, beautiful sets and costumes, entertaining story, but with an emotional aspect to it, and a great ending.

The female characters are very well built and the performances are just spectacular, especially Viola Davis as Aibileen and Bryce Dallas Howard as Hilly Holbrook- they were the two standouts for me, who carried out this sad, but true story, in a beautiful, affectionate, yet powerful way. Emma Stone has a slightly different role then usual, but she delivers;  Jessica Chastain as Celia Foote is a pleasant surprise and Octavia Spencer as Minny Jackson is adorable and she will probably receive a Supporting actress nomination.

The movie is not action oriented, it does not have a fast pace- what you get is an analysis of this particular situation in Mississippi; you see and understand what was it like for coloured women in the 1960s to work in an environment full of people like Hilly Hilbrook. You will encounter sad stories, you will have your share of fun (Minny's famous pie), even some romance (hello, Chris Lowell), and you will love the characters.

It had a little bit of everything and I thoroughly enjoyed it! The ladies will love it, the men...well, I guess they can appreciate the performances! You should check it out- I think the Golden Globes&co will hand out some nominations for it!

Nov 8, 2011

12 angry men[1957]


12 angry men is a 1957 classic about a jury in deliberation of a murder case.

You have 12 men, no names, one room and 1h and 36 minutes to kill. What do you do?The best men to ask are Reginald Rose, who wrote the screenplay and Sidney Lumet, who directed it. They both did a wonderful job in capturing not only the essence of the story and the morality of it, but also the emotions and characters of the 12 men.

Juror number 1 is the president and tries his best to manage the chaos in the room. 2 is a simple, quiet, guy, who doesn't dare to speak, but believes in the greater good in mankind. 3 is a real pain in the ass and doesn't go down without a fight and 4 is a very hard man to convince who, surprisingly, doesn't sweat. 5 and 6 are pretty normal guys, but 7 is a piece of art- he just can't wait to go to this stupid baseball match. 8 is the real star, the man who questions everything and the kind of juror the defense autorney wants to have. 9 is a sweet old man who's happy to be there and help, but you just dislike number 10, he is so grumpy. 11 always fights for his point of view, but 12 doesn't pay attention that much, unless it has something to do with him- the advertising agency sindrom, it was quite common those days.

There were some great moments there: the close-ups of the jurors, the scene were each one stands up and gets away from the non-sense, angry juror 10, and every scene where they figure out that something is not right! Henry Fonda, as juror 8, is, of course, amazing and that applies to almost everyone in that room!

A true classic that you should see if you haven't already!