Showing posts with label Shame. Show all posts
Showing posts with label Shame. Show all posts

Jan 14, 2012

Shame[2011/2012]


[SPOILER ALERT- I discuss most of the important scenes, but don't give out the ending]

Today I finally saw Shame- I have been anxiously waiting for it for over 6 months and now, that my wait is over, I can actually talk about it and say my opinion, I don't have to read about it anymore (so many articles and spoilers out there, I stopped reading after a while).

First of all, let me just say this is a very good movie- quality and beauty in every aspect of it: acting, music, directing, cinematography etc. Yet again, Steve McQueen takes this movie ten times over its potential and it's old news to me now the absolutely fantastic way he directs movies- Hunger was a perfect example and Shame is not only a great follow-up, but you can also see the improvement, the progress he has made. The scenes are much clearer, with more substance and visually more attractive (not that Hunger wasn't, it's just this one is better). I loved the fact that the talks between Brandon and Sissy are mostly shot from behind, the camera over their shoulders, it feels like an intrusion into their conversation, like you are watching a couple fighting in front of you in line. I like the sex scene at the end where he shoots the women and Brandon from completely unusual, different angles, or the way he shot the subway parts. On an end note to the technical, filmmaking aspect of it, I have to mention the use of music or lack of it- the soundtrack and sound editing were appropriate to every situation and gave it more power and sensibility in some cases (the beginning and end part, Brandon's song by Harry Escot, or the New York interpretation of Carey Mulligan's character).


There is so much depth and tragedy in this story and movie that I could talk about. Where should I start? Let's talk about his sex addiction- the thing that struck me is that, not for one moment, did I see pleasure or happiness in his eyes or expression; it felt like a burden, like a automatic thing he is used to do every day, a thing that he can not control and that he needs to do, like eating or drinking. I think one of the main problems of Sissy's appearance is the fact that he can't continue his usual, secret, yet very addictive way of life; that, plus his past relationship with his sister, cause him to derail, to go in such state of misery and desperation, that he gives into all of his fears, in one night of destructiveness that nearly kills him, physically and mentally.

It all started with a failed attempt of having sex with a woman at work he liked; the same one who, 30 minutes before, tried to have normal dinner and conversation with; but he couldn't, because he can't relate to someone, he can't get attached to a human being. Most would say it is because of his addiction, I say it all goes back to his childhood and his family problems. Funny how, after she leaves, the hooker can immediately take him to the edge. He can't get off a possible sentimental fling, but a complete stranger can- after all, he just craves for the act itself, not the person who is with him.

After that failed attempt, he decides to go out and that's when all of his world goes down and we witness one of the most dramatic and disturbing meltdowns in film- some where shocked by the way he blatantly touched a woman in public, others by the gay action in a underground club, but I was surprised by the three-way in the apartment. At first, I was a little disturbed not by the actual scene, but the length of it, I thought it was too much, but it all made sense when he saw Brandon's expression- that pure state of despair, of craziness and loss of control over his body and urges. It looks like it almost hurts, like it could kill him. That was, indeed, shocking and it wrapped up his whole character, finally showing us what he is going through.

The last minutes of the film, of the night, the passing back and forth between his apartment, the club, the subway ride, it was masterfully shot and edited, one of the best scenes I have seen. Kudos not only for McQueen and the cinematographer, but also for Michael.

Because, honestly, you can't say that Fassbender was anything short than fantastic, it was like nothing I have ever seen. At the beginning I was a little skeptical, but that was because of the ordinary, quite boring actions he was put through (the script allowed it), but the second part of the film is truly a work of art. I believe, understand and sympathize with everything he does, I worry for him, I feel his desperation, or his anxiety when he runs for Sissy, and I am 100% with him on the rainy day, near the water. Fassbender deserves a Golden Globe, a Bafta, an Oscar and more. Will he get it? Probably not, the Clooney and Pitts of Hollywood have more charisma and apparent value on the market, but he should be recognized, at least at one of them (probably Baftas).

Another surprise for me was Carey Mulligan- the part of Sissy is very different from what we normally see of her, but she nailed it and gave it so much substance and power. The lovely scene where she sings New York was revealing, at least from my perspective- I felt like her life, personality and story just translated through her eyes and that song, it has hauntingly beautiful. Brandon's relationship with Sissy is hard to define, you can't really tell if he actually loves her, or cares about her, or is afraid. There was definitely something going on between them, but the closest thing to really discovering the truth was the discussion they had on the couch, near the end, and that didn't reveal too much, either. There is tension, there are repressed feelings, and probably love, as well, but Brandon is uncapable of showing his real emotions. It's like he is almost imune to all that is happening in his environment, to his world.

There are so many other things worth mentioning that I probably forgot, little details that made this movie better in so many way- script-wise, performance-wise or something else entirely. I can't disect all of it, but I am sure you will find other blogs who have noticed different aspects of it. After you read this review, go check out the others.

In the end, Shame is the kind of movie you don't like or appreciate immediately after the credits start rolling. I didn't. But then, you start thinking about it, remember certain scenes and then it hits you- that movie was great.... Fassbender was perfect...the subject was interesting and dramatic....the situations were extreme and sometimes pornographic.....but then again it's about sex addiction.....which is almost like a disease, a terrible situation to be in.....wow, that was powerful! I know I wasn't the only one, my friends got out of the theater rather disappointed, but afterwards, we started talking about it and we all realized it is a great movie!

Shame is worth your 10 pounds or 10 dollars or whatever currency you have! Believe the hype! Go see it!

Dec 12, 2011

No clear frontrunners for the awards madness in 2011/12?

Is it just me or this year is shaping up to be a very interesting one, full of surprises? Usually by this time you already have some clear favourites, especially in the acting department (like Natalie Portman and Colin Firth in 2010/11), but for this season I really don't see anything clear in front of me!Ok, I am exaggerating....maybe Albert Brooks for Supporting Actor and MAYBE the Artist for Best Picture, but the others are pretty open!

Let's take some examples!
Best Actor: In my opinion, this is the one to watch- there are so many good performances that you can't really know which way it can go! Brad Pitt in Moneyball or Tree of Life, Ryan Gosling in Drive, George Clooney in The Descendants, Michael Fassbender in Shame, Jean Dujardin in the Artist, Michael Shannon in Take Shelter, Joseph Gordon Levitt in 50/50, Leonardo Dicaprio as J.Edgar Hoover and so on! For me, and from what I have seen, they all have an equal chance of getting those big statues (Golden Globes, SAG, Oscar), but no one is a frontrunner yet and I like it! I, persoanlly, am rooting for either Fassbender or Pitt(he deserves one).

Who are the winners so far?
NYCC- Brad Pitt for both Moneyball and Tree of Life
National Board of Review- George Clooney in The Descendants
BIFA- Michael Fassbender in Shame
WAFCA- George Clooney in the Descendants
BSFC- Brad Pitt, runner ups George Clooney and Michael Fassbender
NYFCO2011- Michael Shannon for Take Shelter, runners up Michael Fassbender(Shame) and Gary Oldman(TTSS)
LAFilmCritics- Michael Fassbender for everything this year, runner up Michael Shannon for Take Shelter
San Francisco- Gary Oldman for TTSS

Best actress: Again, another strong category! Some say Meryl Streep has it in the bag with The Iron Lady, but when you are in a category with the superb Michelle Williams as Marilyn Monroe, or the loveable Viola Davis in The Help, not to mention the stunning Tilda Swinton(We need to talk about Kevin), you can't be sure of anything. Other notable performances that can surprise are Rooney Mara (The Girl with the Dragon Tattoo) or Elizabeth Olsen in MMMM. Oh, and Glenn Close in Albert Nobbs looks fantastic, maybe she will get nominated as well, although I don't know its release date. I can't bet on anything here, either, although I am hoping for either Williams or Swinton or maybe Viola Davis, but I don't think so. You need an incredible strong performance if you are a lesser known actress to be considered above women like Streep or Swinton, and, although I loved Viola in the movie, I don't think it's strong enough.

Who are the winners so far?
NYCC- Meryl Streep for The Iron Lady
National Board of Review- Tilda Swinton for We need to talk about Kevin
WAFCA- Michelle Williams in My week with Marilyn
BSFC- Michelle Williams for My week with Marilyn
NYFCO- Meryl Streep for The Iron Lady, runner up Viola Davis for The Help
LAFilmCritics- Yun Lung-hee for Poetry(WTF?), runner up Kirsten Dunst for Melancholia
San Francisco- Tilda Swinton for We need to talk about Kevin

Best Supporting Actor: I thought this one would be easier, as many of the raves went to Albert Brooks(Drive) early on into the awards season, but Christopher Plummer (Beginners) still has a shot, and I wouldn't count out John Hawkes(MMMM), either. I am hoping for some Nick Nolte appreciation in the following months, as his part in Warrior was amazing.

Who are the winners so far?
NYCC- Albert Brooks for Drive
National Board of Review- Christopher Plummer in Beginners
WAFCA- Albert Brooks in Drive
BSFC- Albert Brooks in Drive
NYFCO2011- Albert Brooks in Drive
LAFilmCritics- Christopher Plummer in Beginners
San Francisco- Albert Brooks for Drive

Best Supporting Actress: Similar to the category above, there are 2 or 3 clear frontrunners that are battling for the statue- Jessica Chastain(in The Help or Tree of Life of Take Shelter), Octavia Spencer in The Help and suprisingly, Shailene Woodley is starting to raise up her stakes for her role in The Descendants. I don't think she will win(the age sometimes is an issue, as they think the younger actors have enough time to collect awards), but she is a contender. Both Chastain and Spencer are wonderful and I will be happy either way.

Who are the winners so far?
NYCC- Jessica Chastain for The Help, Tree of Life and Take Shelter
National Board of Review- Shailene Woodley for The Descendants
WAFCA- Octavia Spencer in The Help
BSFC- Melissa McCarthy for Bridesmaids
LAFilmCritics: Jessica Chastain for basically everything she has done this year
NYFCO2011: Melissa McCarthy for Bridesmaids
San Francisco- Vanessa Redgrave for Coriolanus

Best Director: This race is tricky, as most of time features the best, world-wide known directors, and the debutans rarely get more then one spot at the table. And it's a pity, since this year has been fantastic in this department. I am especially excited and am rooting for Sean Durkin(MMMM), Nicholas W Refn(Drive) and Steve McQueen(Shame). These 3 have blown me away with their new, fresh, interesting, unusual, yet fascinating and beautiful style- I love them all and I can't wait to see more films made by them. But you really can't count out people like Steven Spielberg, Martin Scorsese, Alexander Payne, David Fincher or Michel Hazanavicius. If it would be me, I would choose anyone of the first three, obviously.

Who are the winners so far?
NYCC- Michel Hazanavicius for The Artist
National Board of Review- Martin Scorsese for Hugo
WAFCA- Martin Scorsese for Hugo
BSFC- Martin Scorsese for Hugo
NYFCO 2011- Michel Hazanavicius for The Artist
LAFilmCritics: Terence Mallick for Tree of Life, runner up Martin Scorses for Hugo
San Francisco- Terrence Malick for Tree of Life

Best Picture: This is the category where you almost every year get surprised! I didn't expect The King's Speech to win last year, or Hurt Locker before that and I didn't expect Lord of the Rings to win in his year(nor did I want it in every situation), so this year's winner is going in the same direction. Potential surprises: Hugo, The Artist, Midnight in Paris, Drive, Margin Call, Beginners, The Descendants, Tree of Life, Harry Potter and the Deathly Hallows part 2(call me crazy, but I wish this would win, just to celebrate their glorious path), War Horse, The Girl with the Dragon Tattoo and so on.

Who are the winners so far?
NYCC- The Artist
National Board of Review- Hugo
WAFCA- The Artist
BSFC- The Artist
NYFCO- The Artist
LAFilmCritics: The Descendants, runner up Tree of Life
San Francisco- The Tree of Life

And now some smaller, less important, but still great categories- they are my favorites!
Some have the Ensemble Award, which I always like and from what I've seen, Margin Call and The Help are ahead, although Beginners got it at the NYCC and Bridesmaids(surprise there) in WAFCA and NYFCO, Carnage won the BSFC one. That's an interesting one, as well!

I also enjoy the Breakthrough award- it usually adds some more pressure on the main acting categories. This year there was some great talent
Gotham: Felicity Jones(Like Crazy)
National Board of Reviews: Felicity Jones(Like Crazy) and Rooney Mara(Girl with the Dragon Tattoo)
PSIFFF- Octavia Spencer in the Help
NYFCO2011: Jessica Chastain

And let's not forget Best Debut Director
Gotham: Dee Rees for Pariah
National Board of Reviews: J.C. Chandor for Margin Call
NYFCO2011: Joe Cornish for Attack the block
BSFC: Sean Durkin for MMMM


The real game begins with the Golden Globes! When we see the nominations for that, we will know what to expect for this awards season! I think they are released in December, right?

What do you guys think? Do you have any favourites? Any "God, I hope X doesn't win, I hate him/her/it"? Let me know in the comments!

Oct 12, 2011

London Film Festival


Hey guys,


It's the 12th of October and today is the first day of the London Film Festival! As you may know, I live in the beautiful British capital and I am so excited for this event! I already bought tickets for 5 shows:


The machine that kills bad people- Friday 14th Oct: Rossellini's rarely-seen satirical fantasy, now restored, about a photographer whose magic camera has the power to kill the greedy and the corrupt.


Restless- Sunday 16th October: An affecting and delicate teen romance which confirms Gus Van Sant as one of Hollywood’s most astute and sensitive chroniclers of American youth.


Carnage- Wendsday 19th Oct: The Brooklyn bourgeoisie under the microscope in Roman Polanski's beautifully acted adaptation of The God of Carnage.


Take Shelter- Sun 23rd Oct: An extraordinary tale of ordinary madness.


Martha Marcy May Marlene- Monday 24th Oct: Newcomer Elizabeth Olsen stars in this atmospheric story of a young woman recently escaped from a cult-like commune.


+ I will be queing for Shame or 50/50 on Saturday, the 15th of October; depends how lucky I am and where I can get tickets!Wish me luck!


For more information about the films or the festival, check www.timeout.com/lff or bfi.org.uk


Of course I will be reviewing all of the above and I hope to see you soon on the blog if you are interested in these specific movies or just to hear more about the festival!


I did wanted to see other movies like A dangerous method, Wuthering Heights, Ides of March or Descendants, but I couldn't schedule them in or I couldn't get tickets!


Please do let me know if you have any requests or recommendations or anaything like that, I am up for anything new!


Hope you have a great day!
Aziza or you can call me Diana :)