A look back at 2011

Although I always try, I can never do a top 5, or top 10; I mean, I can not put them in order, decide which one is better or worse. That's why, this year, for my tiny blog, I decided just to showcase my movies of 2011: the ones I loved, the ones that shocked me, my favorite stars, the best directors, the coolest soundtracks and my regret of not seeing some movies I know would definitely make the cut for this year!

So, without further ado, here are my picks (in no particular order):

Midnight in Paris- for the simple, yet endearing script, the best references used in a movie, for its hidden treasures, the direction and lovely sight of Paris that it is showcased throught the film

Warrior- for being my surprise of 2011, for the amazing performances delivered by Nick Nolte, Joel Edgerton and Tom Hardy, for making me bite my nails during the fighting scenes and for the emotional script

Melancholia- 1 of the 2 most controversial movies for me this year; it had its ups and downs, but I have to appreciate it for what it is and the performances delivered by Dunst and Gainsborough. Plus, for its grand ending

We need to talk about Kevin- for its darkness and the shocking finale

Harry Potter and the Deathly Hallows 2- for its beautiful end of series and all of its achievements

Fast and Furious 5- you might find it funny, but I am big FF fan and I love the reunion put together for this movie(especially Paul Walker and Vin Diesel)- the franchise is still delivering great action; plus the Don Omar song at the end was the running joke for me and my sister during the summer, so it will be forever stuck in my head

Jane Eyre- for re-inventing, yet at the same time, honouring, a classic; and for great performances by Michael Fassbender and Mia Wasikowsa

Hugo- one of the most flawless movies I have ever seen; beautifully captures the 1930s Paris and the birth of cinema

50/50- for a fantastic script and a enjoyable mix of drama and comedy

Restless- simply put, the movie that got the strongest and weirdest reaction from me this year. Check my review from October if interested

Drive- one of the best soundtracks ever, interesting first scene, memorable direction (Nicholas Refn), and two great performances (Albert Brooks and Ryan Gosling)

Tree Of Life- second of the 2 most controversial movies for me this year; like Melancholia, with a lot of ups and downs for me, but I have to appreciate Brad Pitt, Jessica Chastain and its cinematography

AND
Horrible Bosses, Crazy, stupid, love and Bridesmaids- for showing Hollywood that there are funny, sweet, great script out there for comedy; for good performances that make you laugh

Last minute add:

Great Expectations- it's perfect in so many ways- if you have the chance, please see it!

Special mentions: Take Shelter(for Michael Shannon's performance), Martha Marcy May Marlene (great director and great first part for Elizabeth Olsen), The Help (strong characters, strong women, strong performances), Senna (one of the best and most innovative documentaries I have seen), Michael Fassbender (for three amazing performances he delivered this year- Jane Eyre, X Men, Shame and especially for the breakout role in Hunger, which I only saw this year), My Week with Marilyn (all rise for the lovely Michelle Williams), Life in a day documentary (innovative idea and well-edited), Carnage (best use of space in 90 minutes plus 4 amazing actors put together)

2011 movies I haven't seen, but are probably great/would have loved them: Shame, Weekend, The Artist, Girl with the Dragon Tattoo, A separation, The skin I live in, Dangerous Method, Albert Nobbs, Into the Abyss, The Descendants, maybe War Horse

...and probably I have missed some things, but honestly, my whole film memory goes back to September, because that is when I started this blog, that's when I started to pay more attention to movies and its meaning and I analysed more. These last months have been fantastic and I am eager to continue my journey through the film experience in 2012 on this blog you helped grow and grow each day more and more. Thank you!

Hope you enjoyed it!

Have a great 2012! I love you all!
Diana

No clear frontrunners for the awards madness in 2011/12?

Is it just me or this year is shaping up to be a very interesting one, full of surprises? Usually by this time you already have some clear favourites, especially in the acting department (like Natalie Portman and Colin Firth in 2010/11), but for this season I really don't see anything clear in front of me!Ok, I am exaggerating....maybe Albert Brooks for Supporting Actor and MAYBE the Artist for Best Picture, but the others are pretty open!

Let's take some examples!
Best Actor: In my opinion, this is the one to watch- there are so many good performances that you can't really know which way it can go! Brad Pitt in Moneyball or Tree of Life, Ryan Gosling in Drive, George Clooney in The Descendants, Michael Fassbender in Shame, Jean Dujardin in the Artist, Michael Shannon in Take Shelter, Joseph Gordon Levitt in 50/50, Leonardo Dicaprio as J.Edgar Hoover and so on! For me, and from what I have seen, they all have an equal chance of getting those big statues (Golden Globes, SAG, Oscar), but no one is a frontrunner yet and I like it! I, persoanlly, am rooting for either Fassbender or Pitt(he deserves one).

Who are the winners so far?
NYCC- Brad Pitt for both Moneyball and Tree of Life
National Board of Review- George Clooney in The Descendants
BIFA- Michael Fassbender in Shame
WAFCA- George Clooney in the Descendants
BSFC- Brad Pitt, runner ups George Clooney and Michael Fassbender
NYFCO2011- Michael Shannon for Take Shelter, runners up Michael Fassbender(Shame) and Gary Oldman(TTSS)
LAFilmCritics- Michael Fassbender for everything this year, runner up Michael Shannon for Take Shelter
San Francisco- Gary Oldman for TTSS

Best actress: Again, another strong category! Some say Meryl Streep has it in the bag with The Iron Lady, but when you are in a category with the superb Michelle Williams as Marilyn Monroe, or the loveable Viola Davis in The Help, not to mention the stunning Tilda Swinton(We need to talk about Kevin), you can't be sure of anything. Other notable performances that can surprise are Rooney Mara (The Girl with the Dragon Tattoo) or Elizabeth Olsen in MMMM. Oh, and Glenn Close in Albert Nobbs looks fantastic, maybe she will get nominated as well, although I don't know its release date. I can't bet on anything here, either, although I am hoping for either Williams or Swinton or maybe Viola Davis, but I don't think so. You need an incredible strong performance if you are a lesser known actress to be considered above women like Streep or Swinton, and, although I loved Viola in the movie, I don't think it's strong enough.

Who are the winners so far?
NYCC- Meryl Streep for The Iron Lady
National Board of Review- Tilda Swinton for We need to talk about Kevin
WAFCA- Michelle Williams in My week with Marilyn
BSFC- Michelle Williams for My week with Marilyn
NYFCO- Meryl Streep for The Iron Lady, runner up Viola Davis for The Help
LAFilmCritics- Yun Lung-hee for Poetry(WTF?), runner up Kirsten Dunst for Melancholia
San Francisco- Tilda Swinton for We need to talk about Kevin

Best Supporting Actor: I thought this one would be easier, as many of the raves went to Albert Brooks(Drive) early on into the awards season, but Christopher Plummer (Beginners) still has a shot, and I wouldn't count out John Hawkes(MMMM), either. I am hoping for some Nick Nolte appreciation in the following months, as his part in Warrior was amazing.

Who are the winners so far?
NYCC- Albert Brooks for Drive
National Board of Review- Christopher Plummer in Beginners
WAFCA- Albert Brooks in Drive
BSFC- Albert Brooks in Drive
NYFCO2011- Albert Brooks in Drive
LAFilmCritics- Christopher Plummer in Beginners
San Francisco- Albert Brooks for Drive

Best Supporting Actress: Similar to the category above, there are 2 or 3 clear frontrunners that are battling for the statue- Jessica Chastain(in The Help or Tree of Life of Take Shelter), Octavia Spencer in The Help and suprisingly, Shailene Woodley is starting to raise up her stakes for her role in The Descendants. I don't think she will win(the age sometimes is an issue, as they think the younger actors have enough time to collect awards), but she is a contender. Both Chastain and Spencer are wonderful and I will be happy either way.

Who are the winners so far?
NYCC- Jessica Chastain for The Help, Tree of Life and Take Shelter
National Board of Review- Shailene Woodley for The Descendants
WAFCA- Octavia Spencer in The Help
BSFC- Melissa McCarthy for Bridesmaids
LAFilmCritics: Jessica Chastain for basically everything she has done this year
NYFCO2011: Melissa McCarthy for Bridesmaids
San Francisco- Vanessa Redgrave for Coriolanus

Best Director: This race is tricky, as most of time features the best, world-wide known directors, and the debutans rarely get more then one spot at the table. And it's a pity, since this year has been fantastic in this department. I am especially excited and am rooting for Sean Durkin(MMMM), Nicholas W Refn(Drive) and Steve McQueen(Shame). These 3 have blown me away with their new, fresh, interesting, unusual, yet fascinating and beautiful style- I love them all and I can't wait to see more films made by them. But you really can't count out people like Steven Spielberg, Martin Scorsese, Alexander Payne, David Fincher or Michel Hazanavicius. If it would be me, I would choose anyone of the first three, obviously.

Who are the winners so far?
NYCC- Michel Hazanavicius for The Artist
National Board of Review- Martin Scorsese for Hugo
WAFCA- Martin Scorsese for Hugo
BSFC- Martin Scorsese for Hugo
NYFCO 2011- Michel Hazanavicius for The Artist
LAFilmCritics: Terence Mallick for Tree of Life, runner up Martin Scorses for Hugo
San Francisco- Terrence Malick for Tree of Life

Best Picture: This is the category where you almost every year get surprised! I didn't expect The King's Speech to win last year, or Hurt Locker before that and I didn't expect Lord of the Rings to win in his year(nor did I want it in every situation), so this year's winner is going in the same direction. Potential surprises: Hugo, The Artist, Midnight in Paris, Drive, Margin Call, Beginners, The Descendants, Tree of Life, Harry Potter and the Deathly Hallows part 2(call me crazy, but I wish this would win, just to celebrate their glorious path), War Horse, The Girl with the Dragon Tattoo and so on.

Who are the winners so far?
NYCC- The Artist
National Board of Review- Hugo
WAFCA- The Artist
BSFC- The Artist

NYFCO- The Artist
LAFilmCritics: The Descendants, runner up Tree of Life
San Francisco- The Tree of Life

And now some smaller, less important, but still great categories- they are my favorites!
Some have the Ensemble Award, which I always like and from what I've seen, Margin Call and The Help are ahead, although Beginners got it at the NYCC and Bridesmaids(surprise there) in WAFCA and NYFCO, Carnage won the BSFC one. That's an interesting one, as well!

I also enjoy the Breakthrough award- it usually adds some more pressure on the main acting categories. This year there was some great talent
Gotham: Felicity Jones(Like Crazy)
National Board of Reviews: Felicity Jones(Like Crazy) and Rooney Mara(Girl with the Dragon Tattoo)
PSIFFF- Octavia Spencer in the Help
NYFCO2011: Jessica Chastain

And let's not forget Best Debut Director
Gotham: Dee Rees for Pariah
National Board of Reviews: J.C. Chandor for Margin Call
NYFCO2011: Joe Cornish for Attack the block
BSFC: Sean Durkin for MMMM


The real game begins with the Golden Globes! When we see the nominations for that, we will know what to expect for this awards season! I think they are released in December, right?

What do you guys think? Do you have any favourites? Any "God, I hope X doesn't win, I hate him/her/it"? Let me know in the comments!

Tree of Life[2011]

I finally got around to seeing Tree of Life by Terence Malick!

I started watching this with the idea in my mind that I will probably hate it or think it is too much for me. Let's just say that I was right, but I got a few surprises, as well!

The first thing you need to know about this movie is that it's a unique one, not something you normally see. You love it or you hate it! There are few chances to get in the middle (surprise, surprise, I am there, anyway, moving on).

The film starts with the story of a 1950s family, with Pitt as the father figure, Jessica Chastain as the mother and 3 young brothers. It's the beginning of a beautiful, sad, yet very real story following the normal struggles that a family can go through. Here, Terence Malick shows his great gift and surprises the audience (well, actually maybe just me) with amazing camera movement: sometimes it's erratic, uneven, alert, but beautiful, it feels like he is playing with the camera, experimenting the best way to introduce us into their lives; other times, it's looks studied and fluid.

Then we go into the part that I don't understand and I think shouldn't even be in the movie. Although I loved the nature scenes and they were very well executed, I didn't really understand their relevance. I know, it has a deeper meaning that I am not getting! My loss!

Seeing this film, I couldn't help thinking about what Terence Malick was thinking and why did he choose to shows particular scenes that didn't feel necessary or interesting enough to be on screen. The whole movie, in my perspective, is like the mind of an artist, a creative, mad genius. You feel like he is telling the story, he is behind the camera- he has so many ideas and thoughts, that sometimes he can't put them in a simple, straight way, he doesn't know how to express them in a logical manner. It is very appealing and mesmerizing and you can sense there is more then meets the eye, but it's so chaotic and so artistic, that for the majority of the people seeing it, it gets confusing.

After the nature scenes, we go back to reality and the family. He shows us the love connection between the man and woman and then goes on to show and describe the life of the 3 brothers- their fears, the love they have for one another, trust, sympathy, questions, feelings etc.; you get that for the next 1 hour and 45 minutes and this where things go downhill for me. As much as I loved seeing Jessica Chastain unearthly presence, the fantastic performances given by the father (Brad Pitt) and the son(Hunter McCracken) and, again, the fluid way it was shot, 105 minutes is a bit too much. I got bored and was hoping, by the end of it, to just get it over with it.

I was so annoyed by those long, unnecessary scenes, that I didn't even had the patience to properly see and understand the end of the movie, who anyway seemed too deep and philosophical for me. Hey, I admit, I don't have that level of knowledge or appreciation of art- but I am getting there!

I am not saying it is not a good movie, because it is, but it is too much sometimes! Terence Malick tried to create an amazing artistic film, but didn't really stop and think about what the audience might want or understand. It might have won the Palme D'or, but does he really want it to be seen and loved only by a very small percentage of the population?Maybe he does and I am just stupid!

In the end, most of my friends (and by that I mean 90% of them) would hate this movie and walk out during the dinosaurs scenes, so I will not recommend them. I don't think you should see it either, unless you are a cinephile or love art in any form. Then maybe you should give a try!

Am I crazy? What did you think of it?

P.S. Just because I loved the cinematography and the posters are great, here are 2 more!