Zero Dark Thirty [2012]

 

Zero Dark Thirty is a 2012 production, written by Mark Boal and directed by Kathryn Bigelow, of Hurt Locker fame. It tackles the subject of the post 9/11 efforts to capture Osama Bin Laden, all through the eyes of Maya, a determined CIA agent who follows her instincts and never gives up on her topic of investigation, the Abu Ahmed courier, who eventually leads them to Bin Laden. 

Where do I start? Zero Dark Thirty is a movie that caused controversy in the US, because of its use of torture- I won't dwel  on that, it's not something that bothered me. What I personally didn't like, or better say, didn't identify with, is the actual theme/storyline. It's hard to relate with a story that you didn't witness or live yourself, especially if it involves national politics. I am not saying I don't sympathise with it, I just don't regard it that as highly as Americans do. The only point in the film that really moved me was the actual raid in the middle of the night, and as far as acting goes, I understood and liked more the soldier roles than Maya's, for example. Speaking about her, I often wondered: what is her motivation after all? Why is she doing this? Patriotism? Lost friend/familly member? I just don't get her- is she a smart woman? or just a very ambitious, stubborn one? Is that last scene in the airplane an evidence of her being happy to accomplish a decade worth of work or finally being able to put behind Bin Laden? And I know you will probably say, well, the story is not about her, it's about the war against terrorism and so on. But if you are right about that, than the script didn't actually portray that well, either.

After the film was over, I remember thinking and actually writing on Twitter that I consider Zero Dark Thirty to be a foreign film, in the sense that it is based on a story/feeling that not most can identify with. It showcases American patriotism- it works for them, the citizens of USA, like Lincoln does, but not for the rest of the world, because of the cultural and environmental differences. Americans used to make universally liked films; this is not one of them and I really don't think it will appeal that much to non-americans, no matter the level of interest for politics and knowledge.

Filmmaking-wise, I wasn't impressed- it was a very well made movie, but nothing was outstanding. I never was a Bigelow fan- Hurt Locker did nothing for me, and I didn't get the whole buzz around her and her directing style; Zero Dark Thirty isn't any different, either, at least in this department. The camera is often shaky, and the cinematography was a bit off, in my opinion.

In contrast to that, the casting for Zero Dark Thirty was remarkable. Jason Clarke was a personal favorite, especially in the first part of the movie, and both Kyle Chandler and Mark Strong did a great job as CIA executives trying to do the right thing, all whilst fighting bireaucracy and uncertainty. As for Jessica Chastain, what can I say? My first impression was: "what is so special about Maya? why is she getting rave reviews for this part?", and I still maintain my opinion that the role is not visibly awards- worthy, but the more I think about it, the more I do see some subtleties in her performances. Still, come Oscar night, I am rooting for Jennifer Lawrence.

So, is it worth it? As I did for Lincoln, I would recommend it just to be aware of all nominated films, but otherwise? Not really- it's a see and forget type of film, at least it was for me. Sorry!

Favorite Director Quotes- Relay Race

The lovely Margaret from Cinematic Corner passed me the torch of a great blogathon/relay, started by David of Taste of Cinema: Favorite Director Quotes, one that features quotes from 10 filmmakers about cinema.

Here are the participants who have contributed to this relay race so far:

David of Taste of Cinema
Chris of movieandsongs365
Alex of And So it Begins...
Josh of The Cinematic Spectacle
Stephanie of On Page and Screen
Britanni Burnham of Rambling Film
John of John Likes Movies
Ruth of Flix Chatter
Keith of Keith & the Movies
Mark of Marked Movies
Tyson of Head in a Vice
Eric of The IPC
S1ngal of S1ngal
Steven of Surrender to the Void
Margaret from Cinematic Corner  
And now, the 10 great filmmakers and their quotes:

 

“I steal from every single movie ever made. I love it – if my work has anything it’s that I’m taking this from this and that from that and mixing them together. If people don’t like that, then tough titty, don’t go and see it, all right? I steal from everything. Great artists steal; they don’t do homages.” – Quentin Tarantino

 

 

“Why make a movie about something one understands completely? I make movies about things I do not understand, but wish to.” – Seijun Suzuki

 

 

“When I make a film, I never stop uncovering mysteries, making discoveries. When I’m writing, filming, editing, even doing promotional work, I discover new things about the film, about myself, and about others. That is what I’m subconsciously looking for when shooting a film: to glimpse the enigmas of life, even if I don’t resolve them, but at least to uncover them. Cinema is curiosity in the most intense meaning of the word.” – Pedro Almodovar

 

 

“You make films to give people something, to transport them somewhere else, and it doesn’t matter if you transport them to a world of intuition or a world of intellect…The realm of superstitions, fortune-telling, presentiments, intuition, dreams, all this is the inner life of a human being, and all this is the hardest thing to film… I’ve been trying to get there from the beginning. I’m somebody who doesn’t know, somebody who’s searching.” – Krzysztof Kieslowski

 

 

“Every film should have its own world, a logic and feel to it that expands beyond the exact image that the audience is seeing.” – Christopher Nolan

 

 

“I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film’s abrasive and wrongfoots people then, y’know, that’s great. But I hope it involves an audience. If not, that’s my fuck-up.” – Paul Thomas Anderson

 

 

“I think when you’re young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say . . . well, maybe those are the films that should have won me the Oscar. When Taxi Driver (1976) was up for Best Picture, it got three other nominations: Best Actor [Robert De Niro], Best Supporting Actress [Jodie Foster] and Best Music. But the director and writer were overlooked. I was so disappointed, I said, “You know what? That’s the way it’s going to be”. What was I going to do, go home and cry?” – Martin Scorsese

 

 

“In England, I’m a horror movie director. In Germany, I’m a filmmaker. In the US, I’m a bum. ” – John Carpenter

 

 

"Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of waters, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable: originality is nonexistent. And don't bother concealing your thievery--celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: It's not where you take things--it's where you take them to." - Jim Jarmush

"If you want to be a filmmaker, the best thing you can bring to the world is your own story. And there is something that is very personal to you and something that you have your own singular connection to that if it really is important to you, there are people all over the planet that will relate to it. So, the mistakes happens when you try to figure out what everyone likes because the only thing you can be sure of is what you like. And the reality is what you like ends up being what a lot of people like because we are all going through a very similar story."  Darren Aronofsky

Who I'm taking out:

 

“In England, I’m a horror movie director. In Germany, I’m a filmmaker. In the US, I’m a bum. ” – John Carpenter

Why: I am not a fan of John Carpenter and that quote is not remarcable, either. Sorry!


Who am I adding to the mix:

“I’m just a storyteller, and the cinema happens to be my medium. I like it because it re-creates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.” – Federico Fellini


Why: I found a number of great quotes of directors, and I had three possible choices, but this one (found, incidently, on David's blog) completely won me over because not only is it artistic, but it's close to my heart, as it somehow describes my opinion on film. People like to tell stories, and they do it in different ways; for me, film is by far the most interesting, explicit and entertaining way of doing that. It is a new form of life that you have to be careful how to make it, how to mold it enough for it to touch people- if you achieve that, you have done your job well.
I now pass the blogathon to Ruth from "...let's be splendid about this"

Lincoln [2012]

Lincoln is a 2012 production, directed by Steven Spielberg and starring Daniel Day Lewis as the famous American president who changed history. Written by Tony Kushner, it is a story dedicated to the United States, heavy on heartfelt speeches, anecdotes and passionate verbal fights between Congressmen.

Lincoln is not a great film; it has its flaws and, as far as Spielberg movies goes, it's not one of his best. My main problem is the script. As many stated before me, it is long, extremely long, even for 2h and a half. I would give an Oscar to DDL just for the amount of lines, funny stories and speeches he had to memorize and say. I appreciate the discussions of such important topics as slavery and human rights, but it just went on and on, with few interesting scenes (my favorites came towards the end, with Stevens celebrating at home with his special guest and the very end, the fact that they didn't actually show a crucial point of history, but instead showed it from a different perspective). It was very well written, don't get wrong, but a bit boring and long.

When it comes to technical or filmmaking aspects, I have nothing bad or good to say. It looked good, the sets and costumes, especially Abraham's appearance, were realistically done, but I wasn't impressed or attracted by the direction, like in other films.

My highlights of Lincoln were definitely the performances. I realized half way through that this was, indeed, Daniel Day Lewis, not Lincoln. Absolutely fantastic performance, one of the best I have seen- It is a hard part and he nailed it; I respect him just for the number of lines and speeches he had to memorize and do, all completed by the right mannerisms and professionalism. Another standout was David Strathairn as the secretary of state, who was equally calm, honest and gracious, as he was passionate. I can't not mention Sally Fields (terrific in some scenes, like the fight with her husband over Robert and Willie or the reception meeting with Stevens), and Tommy Lee Jones, as the old grumpy man who eventually comes through. Are these last two worthy of Oscars? Not really, but I would be fine with it. Besides that, to top off the superb casting, the rest of the actors involved were top notch, and just by looking at the IMDb list, you know you can expect a well acted film.

In the end, is Lincoln a great film? not really. Does it have amazing performances? Most definitely. Is it worth seeing it just for them? Hmmm.....maybe, plus it is nominated for many awards, so I suggested you watch it for yourself and decides if it's worth the buzz.

Sound of my voice [2011]

Sound of My Voice is a Brit Marling movie (written, acted and produced by her) about a cult revolved around a young woman who claims to be from the future. Peter Aitken, a late 20s guy, infiltrates into the group with his girlfriend, Lorna, in order to make a documentary about Maggie, the mysterious woman, and show to the world she is just a fraud. The situation changes when he is suddenly attracted and intrigued by Maggie, in spite of his earlier doubts.

One of the things I love most about Brit Marling is her ability to create such curious stories, with sometimes unbelievable ideas (mostly science fiction), that blend together and form a type of film that you are, without realizing, drawn into and inexplicably fascinated of, although it doesn't seem that interesting on a first glance. This story has a little bit of everything: drama, mystery, character development, philosophy, and sci fi, but what ties it together is the performances of the main actors, Marling, Denham (Peter Aitken) and Vicius (Lorna).

Christopher Denham, playing Peter, the man who is keen to show the true Maggie to the world, is quite the revelation, as he suffers the biggest transformation, all starting to change after the absolutely fantastic scene of the apple, my favorite. Nicole Vicius offers an equally great performance, as the girlfriend who takes the exact opposite path to Peter: she starts up intrigued by her, almost believing, but ends up plotting against her. But hands down, the best part was played by Brit Marling, the very talented woman who is simply mesmerizing- I don't know if it's just looks or something else completely, but she draws attention in every form and gives a credible and sometimes realistic performance. I expect great things from her in the future.

One of the reasons I wasn't overly excited about Another Earth (her previous film) was the directing, but Sound of my voice is much better, and as a whole, it works and looks very good. I loved the part where she told her story, or the first time we see them taking all the precautions to get to the safe house, and especially, the apple and confession scene, fantastically played by both Denham and Marling. As for the ending, I equally loved it and hated it- it made you realize that maybe she is not lying and is from the future, but also it made you imagine the next step for Peter- will he follow her or not? will he help her escape or not? will he believe her?

So yes, you do have to see Sound of My Voice, because of the script and because of Marling's mesmerizing performance and talent in all accounts. I recommend it and hope you'll like it, too!