Untouchable [2011]

During my intense film viewing at the beginning of this month, I had the pleasure of seeing a wonderful French movie called Untouchable. It tells the real story of two men from different social classes reunited by a lovely friendship, which forms when Driss, a young man from the wrong side of the tracks, gets a job as a caretaker at the house of Philippe, a quadriplegic. Directed and written by Oliver Nakache and Eric Toledano, Untouchable is a lovely story that deserves your attention and love.

The strength and beauty of the film lies in the quality of the script, which manages to mix an emotional story of hardship and problems with the funny interaction of two totally different men. Featuring funny and silly lines from Driss and sarcastic, sometimes moving retorts from Philippe, the two carry on their shoulders the weight of the movie, and they do it wonderfully, as their chemistry is palpable and very enjoyable to watch.

Driss is a young man who grew up in a family of too many kids, who is now trying to get away and find a job. He ends up being hired as a caretaker for mister Philippe, who sees something in him, although he isn't the obvious choice. Or maybe the old man just wanted a change of scenery, a breath of fresh air and honesty around him and Driss provided that. Whilst the young guy is crazy, spontaneous and says exactly what's on his mind, with no reservations, Philippe, having been brought up in another environment, is pretentious, taciturn and hard to please. But the interesting thing is that they complete each other, as corny as it sounds- they offer to each other what they can't have or do for themselves and that leads to a great friendship. The old man teaches the young one about art and music, offering him a nice roof to live under, and Driss pushes the quadriplegic man to live life more, to dare to do more, in spite of his incapacity.

The performances are great and deserve credit. the super funny Omar Sy who maintained the easygoing and cool aspect of the script and worked perfectly with Francois Cluzet, a great French actor who shined through his supposed illness and delivered a heartfelt performance. Other worthy mentions are Anne Le Ny as Yvonne, one of the helpers in the house and Audrey Fleurot as Magalie, the young, beautiful assistant that Driss has a crush on.

I don't usually watch a lot of foreign, or more specifically, French movies, but Untouchable is worth every penny spent and minutes wasted seeing it. Its warmth, funny lines and wonderful performances make this film an unmissable one- you should see it, it will brighten up your day and make you laugh multiple times.

Coco avant Chanel [2009]

The 2009 French movie, starring Audrey Tatou and directed by Anne Fontaine, follows the story of the famous designer before Chanel; it documents her stay at the Balsan mansion and her affair with the two men that played an important part in her life, each loving her as best they could.

One was the owner of the fabulous mansion in which she lived for a while, doing nothing more than entertain his guests; not a mistress, but not quite a wife, either. The other, the one who eventually captured her heart, was Boy, an English businessman she met during her stay with Balsan. Etienne offered her a place to stay, companionship and kindness, whilst Boy was the love she never believed could exist. It was a rather bittersweet story and certainly not a happy or inspiring one, but it had its wonderful moments and it portrayed Coco Chanel in a different way, by focusing on her earlier life and her journey to the woman we all know now.

From a filmmakers point of view, the film was visually beautiful and nicely directed, although I would have liked more color and a more artistic approach to the cinematography. I liked how they showed that Coco was always paying attention to details and shapes and accessories, and it was interesting to find out that she first started in the business by making hats. The costumes were fantastic and I instantly fell in love with her black dress from her first trip with Boy to the casino; her runway show at the end was also stunning and I love the style and the transformation from the poor girl in the orphanage to the successful Parisian designer. In a world of corsets, pastels and overly accessorized attires, she stood out with dark colors, masculine style and stripes. She knew exactly what she wanted and she was lucky enough to have both Balsan and Boy close to her to help her achieve it.

Casting-wise, I thought all 3 were perfectly chosen for their respective parts. Tatou's performance in this movie was beautiful. I like to think of her as a modern Audrey Hepburn, but French and only slightly less charismatic. She knowingly surrenders herself to the somber, strict and straight forward character of Gabrielle and shows a wide range of layers and subtleties to a rather enigmatic person. Although she was thought to be an introspective, elegant and cold woman, she did have her moments of happiness and childish behavior, but only Boy and sometimes, her sister, were the ones fortunate enough to witness it. Benoit Poelvoorde, as Etienne, the older, but always entertaining man, went from portraying an interested boy, to a naughty lover, to a jealous man in just a couple of months spent with Coco, and gave a wonderful performance. Alessandro Nivola played Boy with a natural charm and sensuality that would conquer almost every woman...I admit it, I fell for his act, and I do find it believable that Gabrielle did, too.

All in all, Coco avant Chanel was an interesting movie and an enjoyable way of spending an evening. If you are interested in fashion or if you love Audrey Tatou, I recommend it.