Frankenweenie [2012]

Frankenweenie is the newest Tim Burton production, inspired by a 1984 short film he made for Disney, but ended up being rejected. It tells the story of Victor,a young man passionate about science and his dog, Sparky, who also is his best friend. When it dies, the kid suffers, but after an inspiring and interesting lesson of mister Rzykruski, the science teacher, he decides to bring his dog back to life by using electricity. He keeps him a secret, but after a classmate finds out, more youngsters decide to do the same with their pets and things get out of control when some don't turn out to be as cool as Sparky.

* Before going into details, let me explain the conditions of my viewing. 9 am, got there late, I was very hungry, slightly sleepy, and the very cold room I was in made me feel very uncomfortable and again, sleepy, so I might not be the best or most objective reviewer, especially when it comes to my overall opinion.

Moving on to the actual film, Frankenweenie is Tim Burton's return to his golden age; he comes back to a more interesting, less flashy side of art, and creates a funny, yet dark story for people young at heart. Although the entire process of making the movie is long, complicated and intricate, the setting and direction seem to be quite simple and smooth. It doesn't try to be more than it is, visually speaking, because it puts the focus on the story and the characters, but doesn't stop in offering the viewer a visually beautiful film, in all its darkness and simplicity, and the black&white definitely helps put across the story better.

One of the strong points were definitely the characters- they are awkward, they are quirky, and they are dark, but somehow you feel for them and understand their actions, although it's not something you see day to day. My favourite has to be the Weird Girl and her furry white cat- they stole the show for me (can we have a spin-off, mister Burton?). The science teacher, Edgar and Elsa are also highlights, in great cast.

But here's my problem and overall observation. Is Frankenweenie a good film? Yes. Is it very well made, with good direction and script? Yes. Is it visually beautiful? Yes. Was I excited about it afterwards? No. Did it touch my heart or move me emotionally? No. Do I think ParaNorman is better? Yes. Why? Because ultimately, it's funnier and more appealing.

In the end, do I recommend Frankenweenie? Yes, but only because it's Burton at its finest and it will probably be one of the animations most people will see this year.

Almost Famous [2000]

“They don’t even know what it is to be a fan, ya know? To truly love some silly little piece of music, or some band, so much that it hurts.” 

                                                   

Almost Famous is a 2000 film, written and direction by Cameron Crowe, who based the story on real events and people. It's about a smart, precocious 15 year old who is contracted by Rolling Stone to write an article about Stillwater, an upcoming band, and goes on tour with them, taking part in an adventure that he will never forget.

Now, before I start, I must admit I am in a rather artistic stage in my life right now- I listen to a lot of music, am discovering new and classic artists and obsessing over some bands, so you may think I am biased here, but I'l try to be as objective as I can. That being said, I loved the movie- let's start with the small details: the written intro credits and use of chipmunks song; Michael Angarano as young William; Phillip Seymour Hoffman as the rock critic/mentor; amazing soundtrack featuring songs like Tiny Dancer; a handful of quotes that I wrote down and probably will remember for a while (my favourites: "I didn't invent the rainy day man, I just own the best umbrella" and "Your mom kinda freaked me out").

Then we move on to bigger things. First, a good script, full of funny, but approachable characters, entertaining dialogue and good character development. It may seem predictable and cliche, but maybe it isn't, maybe that's how things really were back then- the guy did actually go on tour with a band. I liked the delay of Russell's interview, the back and forth between him and Penny, and especially the near plane tragedy. I think that the movie accomplished in showing the audience that not everything is nice and cozy and fun on tour; people still lie, cheat, dream, hurt and use each other, just like in the real world- this one is just more fun to be in.

Second, how can you not love the cast? Patrick Fugit as William is adorable and perfect for the part. Kate Hudson, in probably her best role ever, gives the right amount of sweetness, sexiness and mystique to Penny Lane, and the interaction between her and Patrick's character was very sweet. He sees her as a goddess, and you may think it's a sexual or love attraction, but I think it's more than that- she is the free spirit he longs for...or maybe it's just a crush. Who knows? Moving on to my absolute favourite person and character- Frances McDormand as the overly protecting mother who freaks everyone out; that woman has so much charisma and talent, I am always intrigued and attracted to her, she steals the show every time she is on screen. Billy Crudup was also very good as the mysterious lead guitarist who often outshines Jason Lee's character, a funny, wacky frontman who entertained me most of the times ("you know what I do? I connect"). Props for Jimmy Fallon and his hilarious part, who's look I just couldn't stop laughing at.

Third, and last, with the risk of repeating myself, here are some quotes I just loved:
"Hey man, don't stop there, I am incendiary, too"
"What's your real name?"
"It's ok, I am easy to forget, I am only the lead singer"
"But here I am, telling secrets to the one you are not supposed to tell secrets to"
"Your mom kinda freaked me out"
"I'm always home, I'm uncool"

Overall, the film was very entertaining- fun and sweet, with an exciting pace that didn't bore. The sets&costumes were good and as I said, the soundtrack was memorable. Almost Famous is a wonderfully written, beautifully directed, well acted film, that you definitely have to see.

Lolita [1997]

The 1997 version of Lolita, made by Adrian Lyne, is apparently more accurate to the book written by Vladimir Nabokov, but not as good as Kubrick's version. It tells the story of a lonely teacher with a secret desire for young women who marries his landlady in order to have her devilish little daughter. After the woman dies in a car accident, Humbert takes the little girl away from camp, to a little journey across country and then to school, starting a forbidden affair that drives him mad by the end.

Jeremy Irons plays professor Humbert with passion, making his otherwise despicable character, a man with a conscious and needs that go beyond his power. Although you disagree of what he is doing to the little girl, you cannot deny the fact the man is sick and that he is not doing it with an ulterior motive or because a twisted fantasy. The tragic death of his first love at 14 stopped time for him from a sexual point of view and so, he is only attracted to 14 year-olds. You might say I am defending him or trying to justify his actions, but I don't think I am- I'm just telling you what I observed and understood from the film. Yes, what he did was unforgettable, but he did for love....and he never wanted to harm her. His naivety and blind passion for the girl made him go to extreme ways in order to protect her and, probably, his most surprising act was the vengeance he prepared for Clare Quilty, the man who was responsible for the rupture between him and Dolores. I could go on and on about his character and what drove him, but I think I might be doing into a controversial territory, so let's go back to Lo, shall we?

Oh, Lolita, you little temptress! The young woman knew exactly what she was doing and although she played the act very well, you could see how easily she understood Humbert's attraction to her and how she decided to act in her favor. Despite the fact that she was young and you could say she wasn't mature enough to realize the consequences of her actions, I think she knew and accepted the situation in order to survive. Here is what I don't get: why did she put up with it? Why did she last that long and then go with Quilty, who was even worse than Humbert? And the most important question: how did she really feel about her father- well, stepfather? At then end, when he visits Lo in her new house, they talk about the past, but I still can't tell how she really felt about it- she seemed to have left it all behind her, but...I don't know, I still don't get it! Dominique Swain was sensational as Lolita- she was very beautiful and she perfectly portrayed the part of a seductive, sensual little girl, with apparently no knowledge of her power over Humbert.

I could go around the bush forever with this story and the two main characters- their relationship is complicated, but I think in order to understand it, you first need to analyze and figure out each one individually- their human nature, their motivation and their needs. It is too much for me to talk about it here and I am sure that if I will read the book, I will probably understand it better, but this is a movie, so maybe I should go back to it.

From a film-making point of view, I could say the film was good. The cinematography was beautiful and I liked the random close-ups and weird camera movement that was used to express Humbert's panic or despair, plus the score was remarkably pleasant and appropriate to the story, but overall I didn't find anything special. After it ended, I quickly resumed my activities and forgot about it in 10 minutes. That's not a great sign of a particularly interesting movie, isn't it?

Brief encounter [1945]

Directed by David Lean, Brief Encounter tells the story of a man and woman who fall in love with each other after they meet in a train station. Celia Johnson plays the delicate, quiet Laura Jensen, mother of two and happily married to Fred, and Trevor Howard is Alec Harvey, a courteous young doctor whose wife and kids at home don't stop him from pursuing Laura.

The first scene captures your attention, as you can easily see the hidden messages and feelings that are transmitted between the two lovers in the refreshment room at the Milford Junction, only using the eyes and stares. They are not touching or talking, but you can sense something is going on. Well, the viewer can, because the rude acquaintance of Laura certainly doesn't, as she interrupts them and starts talking and talking, without caring about the people around her. This is where we get a glimpse of the sad woman's thoughts, as he hear her inner voice telling us "I wish she would stop talking". This way of narrating the story continues at home, as she decides to tell Fred, her husband, about the love story between her and Alec, but only manages to do it mentally. The storyline is pretty simple and straight forward and I liked the fact that their romance started rather normal, from acquaintances to friends, then lovers, as miss Jensen starts explaining to her husband how they met and why she is feeling so terrible now.

I love the 1940s, 1950s movies for many different reason. First of all, I am always impressed with the lighting in black and white films- I notice it much more here than in color and it always looks amazing. Second of all, and most importantly, I like this decades in cinematography because, back then, the focus wasn't on visual effects, or action, or sets, even costumes- no, the main attraction in a black&white film or any other kind, was the actor, the character and the story it wanted to showcase. In that time, people knew how to express themselves just through their eyes- I could feel and understand what Laura was experiencing just by looking at her face or noticing little gestures that gave her away. It was true acting and it was much more interesting and effective than what we get today (don't get me wrong, there are plenty of wonderful actors today, too, but with different styles). Celia Johnson not only was a beautiful woman, but a very sophisticated and elegant one, as well; her voice was smooth and I loved her accent, although one thing I don't particularly care for in these types of movies is the need to over dramatize everything, by easily crying or getting emotional at every little obstacle. I can't say too much of Trevor Howard, as I feel he wasn't properly showcased, but he did his job wonderfully.

Overall, Brief Encounter was a classic bittersweet noir film, with lovely characters and a sad story that moved me, in some way or another. You should put it on your To See list, although it isn't highly recommended- maybe it's perfect for when you're tired and looking for a short, easy film to take your mind off things.

Little Miss Sunshine [2006]

"A real loser is somebody that is so afraid of not winning, they don't even try"

*SPOILERS ahead, beware*

I am so happy I eventually got to see Little Miss Sunshine yesterday; it was one of the sweetest movies I have ever seen, full of hope and life and power, all whilst being entertaining, but also providing a strong emotional connection and relatable characters. Directed by Jonathan Dayton and Valerie Faris and written by Michael Arndt, it follows the Hoover family into their journey to the Little Miss Sunshine pageant contest in California, where Olive, the youngest, desperately wants to compete.

I loved the fact that they started it by presenting every character with one short scene that perfectly captures the essence of each one; the song, "The winner is" by Devotchka, is amazing and quietly stalks my memories every time I think about the film.

Moving on to the actual story, it is a very interesting one, as it mixes drama, regrets, sarcasm and hate, with love, support, power and sensibility. You have delicate themes like suicide, drugs, divorce, but they are balanced with different sweet moments, like the innocence and determination of Olive, the pep talk Edwin gave to his son, Richard, after he lost his job, or the moment where Dwayne tells Olive to hug his mom. There are some laughing out loud scenes (pushing the car, getting the body out of the window, the final dance), but also some dramatic ones that were perfectly acted; two come in mind here: the table discussion about Frank's attempt to suicide and Dwayne freaking out after he found out he is colorblind (the way he couldn't contain himself inside the car, that build up to the moment in which you knew he was going to scream, and the actual moment, was just brilliant).

My favorite scene has to be the dance at the end, where all the family joins the little girl on stage, in an attempt to protect and encourage her- it has to be one of the most embarrassing, yet hilarious and fun scenes I have watched in a long time. In the end, although there is tension between them, they still love and support each other, no matter what. The script was just fantastic and I am so happy it got the Oscar, it is deserved.

The true magic of this story lies in the characters; they are defined, relatable, interesting; they are people with whom you can create an emotional connection, and most important, they seem real, although they have their little quirky features- you still get attached to them, and that is the best thing a script, actually a film, can hope for. What an array of individuals: the always-complaining grandfather (wonderfully played by Alan Arkin, but Oscar-worthy?hmm...maybe, maybe not), the Nietzche-silenced teenage boy (Paul Dano, with probably the best performance of the film for me, at least, just for that freaking out scene), the success-driven father who hates losers (Greg Kinnear), a mother trying to keep her family together (Toni Collette) and her suicidal brother (Steve Carrel, in his best role yet), and of course, Little Miss Sunshine herself, Olive (Abigail Breslin), who steals the spotlight with her innocence, sweetness and perverence. They are all wonderful and I love their interaction with eachother- the casting was perfect.

As you can see, I can't stop gushing over it, and I might have run out of compliments to give- this movie is that good, and I really hope you saw it or you will see it soon! Amongst a sea of thriller, horror and action movies or tragic dramas, this refreshing comedy/drama stands out and commands attention. I wish more films similar to this one would be made each year!

True Grit [2010] and future plans

The fourth Coen brothers movie on my list was their latest, True Grit, released in 2010, and based on a novel by Charles Portis (and another movie starring John Wayne) which is new for me, because all the films I saw were written by them, not adapted. [was Fargo adapted or just based on a true story? I can't remember; anyway]. It tells the story of Mattie Ross, a stubborn 14 year old girl who hires an old, mean sheriff to revenge the death of her father, by catching and surrendering Tom Chaney, the murderer, to the authorities. What's the catch? She is going with him into the land of the Indians.  


Again, this film is very different from the other Coens pics and I love that; you never know what to expect from the brothers in terms of storyline, but you know you will always get amazing cinematography, great dialogue, strong characters and peculiar situations and people. True Grit falls perfectly into those lines and turns out to be an entertaining movie, with good intentions, multiple layers and good old time action and fun, to top the visually beautiful scenes and the great acting. 


Speaking of it, the casting is fantastic, especially when it comes down to the two leads, Reubeun Cogburn, played by Oscar winner Jeff Bridges, and Mattie Ross, played by the young Hailee Steinfeld, who, weirdly enough, was nominated for awards in the Supporting role category- her part was as lead as a role can be (stupid phrasing, but you get my point). Matt Damon did his job, but I found his character and his portrayal of it to be a little annoying and exaggerated. 


I liked the fact that the film was pretty straight-forward, tough, with attitude and funny, sarcastic lines, and I especially loved the sequence of scenes at the end- Mattie being attacked, the appearance of Cogburn and La Boeuf, shooting at 120 m, falling etc etc; it was exciting, fun to watch and nicely done. 


True Grit was a very good movie that I enjoyed. If you will ever do a Coens marathon or plan to see some of their movies or if you just like westerns or if just like good movie or if you like Jeff Bridges/Matt Damon/Josh Brolin- get this film now and see it, you will not be dissappointed!


Overall, the Coens marathon was a huge surprise for me- I did not expect to like their movies so much! Each one is unique, with distinctive features and qualities, but all have several key points that make the project better every time, and by now, if you have read my posts, you know them: script, characters, casting, cinematography- any film who excels in these points can be called a great one, so I guess it's safe to say the Coens always do an amazing job! They are now in my favorite directors, but mostly scriptwriters, category, and I can't wait to see Inside Llewyn Davis (written and directed by them, now filming in New York, with Carey Mulligan, Oscar Isaac, Garrett Hedlund, Justin Timberlake and John Goodman), and Gambit, set to be released in 2012, written by the brothers, but directed by Michael Hoffman.


If you're curious about future plans, I plan to do a mini Herzog marathon soon, and then a huge Stanley Kubrick one, with, hopefully, all of his movies (I sure need to watch them, it's embarrassing how many I haven't seen already). Honestly, I have to admit, I am terrified by Herzog, especially his earlier, feature film work, as I saw some trailers and synopsis and they don't seem something I would particularly enjoy, but I will be brave and try- maybe it's not so bad!

So, tell me, did you like my Coen brothers posts? what do you suggest I should do next? any (light) recommendations for the Herzog marathon? 

Eastern Promises [2007]

Eastern Promises, my second David Cronenberg movie in a week, is a drama about a midwife who discovers the shocking story of her recently-deceased unknown patient, who gave birth to a child after being raped by a Russian mob man.

To help explain this film, let me just talk about a cake. Just imagine a cake with many layers to it. The first one, on top, doesn't look to good; the colour is too bright, and its taste is rather dissapointing, like they put too much vanilla or rum in the syrup. You get to the second one and it's better: the taste is normal, but still a bit boring and not that good. As you get to the third layer, you find the chocolate, and suddenly you are interested and you want more. The center of it, the caramel, just melts your heart. "Eastern Promises" is very similar to the experience of tasting a cake- the beginning is slow, the English-Russian accents are just plain hilarious and bad, the acting can be over the top, in some situations. Then you get to meet Anna and Nikolai and you start to care, but still it doesn't feel comfortable. When you discover Tatiana's story and Nikolai's actions to spare the uncle or save the prostitute, you understand you are witnessing a character development and the story is becoming more and more interesting. In the core you encounter delicate subjects and shocking revelations, and you start to care about Anna, and the baby and you hope for a happy ending for them and even for Nikolai.

"Eastern Promises" has flaws, even more than "A history of violence", and, as expected, they are similar in some aspects. Both have a running time of less than 2 hours, but seem to last to at least 3 and 1/2. The start is slow and it drags in the middle, but when it hits, it does with such power and shock, that it knocks you down (case in point, the fighting scene in the bath). Both feature strong character, but some of them seem so out of place, so caricaturized, that I don't care as much (Fogarty and Cusack in HoV and Kiril in EP). The obvious flaw that I couldn't stand in "Eastern Promises" was the accent- that is not how Russians talk or act (I know a few); I know it is a movie and they are dramatising the individuals, but it seemed so fake and laughable at times (I liked it more when they were talking in Russian, than the English-with-a-Russian accent conversations).

That being said, some great performances were delivered. Viggo Morgensen was, yet again, very good, and although I did find it hard to believe he was Russian, he embodied Nikolai so well, with such calm, restraint and darkness, that you cannot take your eyes off of him and you even start to care about what happens to him by the end. Another standout was Armin Mueller-Stahl as the head of the family- the sweetest man turned out to be the most ruthless villain and I thought he was brilliant (the only believable character in that story). I didn't empathyze or like Vincent Cassel's character until the very last scene of him, near the water, and I thought he was overacting in most scenes, but I understood him in the end, and sometimes, that matters more than what happens in the first 80 minutes.

"Eastern Promises", is a good movie, but would I recommend it to everyone? Not really, I don't think most would like it. There are too many misses, to really appreciate and love the hits. I liked "A history of Violence" better than this one.

It seems I am in a little Cronenberg marathon, so the next movie I'll see will be A Dangerous Method!

Before Sunrise/Before Sunset

Before Sunrise [1995]

Jesse and Celine meet on a train, have a quick chat and then decide to spend the rest of the day and night in Vienna- this without even knowing each other's names.

It may seem strange and maybe, a little bit stupid or dangerous, but it isn't, not in this case, anyway. Their stories, adventures, conversations, the way the look at each other, how they kiss and laugh- everything is realistic, mostly believable and you can't help falling for them and their story.

Jesse is an American, a rather pragmatic, simple, yet very introspective guy, who wants to get away from his problems and himself, whilst Celine is a beautiful French woman, a dreamer, but a fighter, a seeker (like the palm reader says), who looks at the world with different eyes, and always surprises you. You don't instantly see the connection or the attraction, but it is there and, while they are somehow opposite from one another, they still find a way to relate, more easily then you can imagine. It's so interesting and nice to see a relationship form and evolve, and their interaction is so sweet.

One of my favorite things about this movie was the dialogue or the conversations Jesse and Celine had. Some where funny, some were very serious, others were just a way of getting to know each other better (come on, the first thing you ask a girl when you want to know more about her is "What were your first sexual feelings?").

Top 3 scenes of Before Sunrise
1. The fake phone call to their respective best friends
2. Sound booth at the record store- I just loved the tension between them , the way they awkwardly look at each other, not knowing what to do
3. The good bye- the slight desperation of both of them at the thought of not seeing one another; it was sweet and endearing

Overall, Before Sunrise is a very good romantic film that you should see. Now, I am very curious to see how their relationship will evolve in Before Sunset and how will they react when they see each other after a long time.

Before Sunset [2004]

This one wasn't as romantic as the first one- they have matured, they have changed, in some predictable ways (Celine is now an activist for environmental rights), or rather interesting ways (Jesse is a writer, married with a kid).

The focus of the film is no longer on the romance or the first-time aspect of a relationship, but on love, loss, time, feelings and desires. They are not discovering each other, they are trying to reconnect and see if the flame is still there- and it is.

Ethan Hawke and Julie Delpy have the same chemistry, but of course, more relaxed and subdued, as time and wisdom do that to most people. They talk about life, the world around them, but most importantly, they talk about their past and their present, and that is the most interesting part of the story.

You, as a viewer, don't reconnect with the characters that easily, at the beginning; maybe it's the changes they have gone through, maybe it's the awkwardness between them, so it takes a little time to adjust. I, personally, thought Celine was a little bit neurotic and whinny at some points, but that's just the way she is.

By the end, you realise that they have two things in common: they never forgot that night in Vienna, and the present doesn't bring them happiness. The movie takes you through different stages, up and down, like a rollercoaster.

At first, you see the obvious changes in both of them: Celine is more outgoing, more pragmatic and fierce, while Jesse is more relaxed and more optimistic, trying to find the good in everything- it seems like that night changed them forever, each one getting the other's main quality or dominant feature. But, as time passes, you can see that Celine still dreams of passion and love, while Jesse is still very much aware of the world around him and what is good or bad- they just chose to bury it and focus on more important things- Celine, on her job, Jesse, on his responsibility for his son.

At first, it seems like Celine has put that night behind her and moved on, even forgetting details of their encounter, just trying to minimize the effect he had on her. But, yet again, it is proven otherwise: she still longs for the way Jesse made her feel that night, she has never forgotten him, nor will she.


Top 3 scenes of Before Sunrise
1. The discussion in the car, especially the last part, where Jesse talks about his dreams
2. The song Celine performs for Jesse
3. "Baby, you are gonna miss that plane" "I know"



The second one does not have the charm or sweetness of the first one, but it excels in some ways the first one didn't, digging more into the characters and their motivations. There are many layers and feelings that should be shared, but I don't want to give out too much. You really do need to see both of them, one after the other, to appreciate the whole story. I really enjoyed it, and I think you will, too!