Argo [2012]

Last week, on its first day of release in Romanian cinemas, I went to see Argo, Ben Affleck's latest directorial and acting effort. Written by Chris Terrio and based on a true story, it tells the story of 1980 joint CIA-Canadian secret operation to extract six fugitive American diplomatic personnel out of revolutionary Iran. It's a very well made film that has mostly high points, although it is not as perfect as some might say.

The true story set in the 1979/1980s recalls the conflict between the US and Iran over the extradition of former Iranian leader, which led to a hostage situation and even a revolution in the Arabic country, and that's the main trigger of the script. Tony Mendez, played by Affleck, comes in as an extraction specialist to help get out 6 embassy employees who managed to get out of the building before the people marched in and took control. As much as it is a suspense and thriller story, it is also an emotional one, and the end will keep you on your toes on all accounts. The screenplay is quite good and manages to mix different themes and characters without creating confusion or being too cliche. Maybe this where the movie's success lies in, in the interesting and qualitative combination of story, character development and emotional deliverance, one that has proven hard to accomplish lately in cinema.

But things aren't perfect all the way through; one thing that I particularly didn't like was Affleck's direction. It felt, in most cases, too dynamic, too fast, and it did not have a clean and fluid shooting style- some scenes were rather hard and visually tiring to watch. I know he is mentioned in many awards predictions of Best Director, but I think there are better ones on the list that should have the prize. Other than that, the rest of the filmmaking elements were pretty good, especially the score and cinematography, but also the set design.

Casting wise, Argo was flawless. I, personally, thought Ben Affleck was a better actor than director here, although I have seen better performances from him in previous years. I also don't get why people are pushing Alan Arkin for a Supporting category; if it would be my choice, I would go for either Bryan Cranston or John Goodman, these two shined much more than him. The actors portraying the 6 embassy employees were also well chosen and I particularly loved the woman playing Cora Lijek, Clea DuVall.

Since we are already talking about awards, I can definitely see it nominated for Best Picture, Director (although I don't agree), Cast, maybe Script, and I can see it being a worthy candidate for Best Picture, most likely.

Argo is a very well made film that deserves all the attention is getting, but it is not the masterpiece some are claiming it to be. It is a film that will appeal to many and I wouldn't mind it that much for it to win Best Picture, it would be a safe and predictable choice. Definitely see it!

Little Miss Sunshine [2006]

"A real loser is somebody that is so afraid of not winning, they don't even try"

*SPOILERS ahead, beware*

I am so happy I eventually got to see Little Miss Sunshine yesterday; it was one of the sweetest movies I have ever seen, full of hope and life and power, all whilst being entertaining, but also providing a strong emotional connection and relatable characters. Directed by Jonathan Dayton and Valerie Faris and written by Michael Arndt, it follows the Hoover family into their journey to the Little Miss Sunshine pageant contest in California, where Olive, the youngest, desperately wants to compete.

I loved the fact that they started it by presenting every character with one short scene that perfectly captures the essence of each one; the song, "The winner is" by Devotchka, is amazing and quietly stalks my memories every time I think about the film.

Moving on to the actual story, it is a very interesting one, as it mixes drama, regrets, sarcasm and hate, with love, support, power and sensibility. You have delicate themes like suicide, drugs, divorce, but they are balanced with different sweet moments, like the innocence and determination of Olive, the pep talk Edwin gave to his son, Richard, after he lost his job, or the moment where Dwayne tells Olive to hug his mom. There are some laughing out loud scenes (pushing the car, getting the body out of the window, the final dance), but also some dramatic ones that were perfectly acted; two come in mind here: the table discussion about Frank's attempt to suicide and Dwayne freaking out after he found out he is colorblind (the way he couldn't contain himself inside the car, that build up to the moment in which you knew he was going to scream, and the actual moment, was just brilliant).

My favorite scene has to be the dance at the end, where all the family joins the little girl on stage, in an attempt to protect and encourage her- it has to be one of the most embarrassing, yet hilarious and fun scenes I have watched in a long time. In the end, although there is tension between them, they still love and support each other, no matter what. The script was just fantastic and I am so happy it got the Oscar, it is deserved.

The true magic of this story lies in the characters; they are defined, relatable, interesting; they are people with whom you can create an emotional connection, and most important, they seem real, although they have their little quirky features- you still get attached to them, and that is the best thing a script, actually a film, can hope for. What an array of individuals: the always-complaining grandfather (wonderfully played by Alan Arkin, but Oscar-worthy?hmm...maybe, maybe not), the Nietzche-silenced teenage boy (Paul Dano, with probably the best performance of the film for me, at least, just for that freaking out scene), the success-driven father who hates losers (Greg Kinnear), a mother trying to keep her family together (Toni Collette) and her suicidal brother (Steve Carrel, in his best role yet), and of course, Little Miss Sunshine herself, Olive (Abigail Breslin), who steals the spotlight with her innocence, sweetness and perverence. They are all wonderful and I love their interaction with eachother- the casting was perfect.

As you can see, I can't stop gushing over it, and I might have run out of compliments to give- this movie is that good, and I really hope you saw it or you will see it soon! Amongst a sea of thriller, horror and action movies or tragic dramas, this refreshing comedy/drama stands out and commands attention. I wish more films similar to this one would be made each year!