Showing posts with label Vincent Cassel. Show all posts
Showing posts with label Vincent Cassel. Show all posts

Mar 9, 2012

A dangerous method [2011]


My David Cronenberg mini marathon continued with "A dangerous method" and I was pleasantly surprised, for I saw some interesting differences between his earlier movies and this one.

First of all, the beginning was much more intense and its pace helped get into the story very quickly and start understanding the characters and the situation right away. But, I still knew it was a Cronenberg movie when I realised 16 minutes have passed, but it felt like an hour- how does he do that?

Second of all, the script was better and more diverse, featuring some very introspective and thought-provoking subjects, as expected, since the movie is about the evolution of psychoanalysis. I loved the conversations between Freud and Jung and the experiments, and it was nice to see the interaction between the two doctors, especially when they realised they have opposite opinions, which of course, led to friction and interuption of their friendship- Jung wanted to move forward and research daring topics, whilst Freud never dared to question the wonders of the world around him.

One of the highlights of this film, for me anyway, was Vincent Cassel- his character, Otto Gross, was, by far, one of the most complex and interesting, and his charming presence made the story even more fascinating and appealing. Otto had a great take on monogamy, as he considered it to be a stressful concept and his motto was "Never repress anything" (case in point, his suicidal patient); he also comes up with the brilliant explanation of why Freud is obsessed with sexuality ("He is not getting any"). But, some great things never last long, so he dissapperead rather quickly.

Viggo Mortensen, as Freud, is good, and surprisingly unrecognisable; I wasn't very keen on his performance, mainly because his character doesn't evolve, and his strict mind holds him back. I thought Michael Fassbender was great, but I never stoped to analyse him or think about what he is doing- it felt like he was a driver for the story and for the other individuals, and maybe that is a very good thing. As for Keira Knightley, I still don't know what to think of it- was it exceptionally good or bad? I can't really tell, but overall, she delivered and it fitted the situation; special mention goes to Jung's wife, wonderfully played by Sarah Gadon.

"A dangerous method" is a good movie and one that raises many interesting questions, and for people interested in psycology and psychoanalysis, it will be a treat, but I think most will think of it as being quite boring. I don't recommend it to everyone, but if you have the patience and the willingness to see a movie about these topics, go for it!

Mar 6, 2012

Eastern Promises [2007]


Eastern Promises, my second David Cronenberg movie in a week, is a drama about a midwife who discovers the shocking story of her recently-deceased unknown patient, who gave birth to a child after being raped by a Russian mob man.

To help explain this film, let me just talk about a cake. Just imagine a cake with many layers to it. The first one, on top, doesn't look to good; the colour is too bright, and its taste is rather dissapointing, like they put too much vanilla or rum in the syrup. You get to the second one and it's better: the taste is normal, but still a bit boring and not that good. As you get to the third layer, you find the chocolate, and suddenly you are interested and you want more. The center of it, the caramel, just melts your heart. "Eastern Promises" is very similar to the experience of tasting a cake- the beginning is slow, the English-Russian accents are just plain hilarious and bad, the acting can be over the top, in some situations. Then you get to meet Anna and Nikolai and you start to care, but still it doesn't feel comfortable. When you discover Tatiana's story and Nikolai's actions to spare the uncle or save the prostitute, you understand you are witnessing a character development and the story is becoming more and more interesting. In the core you encounter delicate subjects and shocking revelations, and you start to care about Anna, and the baby and you hope for a happy ending for them and even for Nikolai.

"Eastern Promises" has flaws, even more than "A history of violence", and, as expected, they are similar in some aspects. Both have a running time of less than 2 hours, but seem to last to at least 3 and 1/2. The start is slow and it drags in the middle, but when it hits, it does with such power and shock, that it knocks you down (case in point, the fighting scene in the bath). Both feature strong character, but some of them seem so out of place, so caricaturized, that I don't care as much (Fogarty and Cusack in HoV and Kiril in EP). The obvious flaw that I couldn't stand in "Eastern Promises" was the accent- that is not how Russians talk or act (I know a few); I know it is a movie and they are dramatising the individuals, but it seemed so fake and laughable at times (I liked it more when they were talking in Russian, than the English-with-a-Russian accent conversations).

That being said, some great performances were delivered. Viggo Morgensen was, yet again, very good, and although I did find it hard to believe he was Russian, he embodied Nikolai so well, with such calm, restraint and darkness, that you cannot take your eyes off of him and you even start to care about what happens to him by the end. Another standout was Armin Mueller-Stahl as the head of the family- the sweetest man turned out to be the most ruthless villain and I thought he was brilliant (the only believable character in that story). I didn't empathyze or like Vincent Cassel's character until the very last scene of him, near the water, and I thought he was overacting in most scenes, but I understood him in the end, and sometimes, that matters more than what happens in the first 80 minutes.

"Eastern Promises", is a good movie, but would I recommend it to everyone? Not really, I don't think most would like it. There are too many misses, to really appreciate and love the hits. I liked "A history of Violence" better than this one.

It seems I am in a little Cronenberg marathon, so the next movie I'll see will be A Dangerous Method!