Anna Karenina [2012]

"There can only be misery or great happiness for us"

Recently I had the pleasure of seeing Anna Karenina and oh, what a treat that was, I loved it. As you might know, it tells the story of Anna, a married woman who starts a scandalous affair with a much younger man. Based on a book by Leo Tolstoi, with a screenplay by Tom Stoppard and directed by one of my favorites, Joe Wright, this wonderful Imperial Russian classic romance will enchant you, although not completely move you.

Anna, a faithful and loving woman to Alexei Karenin, a prominent figure in Russian politics, meets, in her trip to Moscow, Count Vronski, which is to be wed to Kitty, a close friend to Anna's brother, Oblonski (Matthew Macfadyen). After her departure, he realizes he can't let go and travels to Sankt Petersburg to see her again, and so things evolve into a scandalous affair that ruins, not only her married life and her reputation, but also her health. By the end, she goes crazy as she believes her love for Vronski is not enough anymore, and begins a paranoid, mood shifting phase of her life. Although their love is still strong and he does not give up on his mistress- he loves and understands her, despite all of her antics, things go south, and the end is dramatic.

As we would expect, Wright's vision and direction is what makes this movie shine- one of the most innovative, visually beautiful and interesting methods he used for Anna Karenina was the use of stages. How can I properly explain? The intermissions, the breaks from one scene to another where made as you were actually present in a theatre and you're seeing the decor move, but all done in a much more dynamic, fluid way. There is also a mix of slow and fast pace between some acts, with an almost musical-type feel to it, that made it even more charming. This combinations were all appropriately made to highlight either a character or a storyline. This definitely set the film apart in the beginning and made it more much more appealing. Unfortunately, that didn't continue throughout the whole film, and many observed and punished him for that. Still, it's a lovely method that I have rarely seem, so I was intrigued and entertained.

One other absolutely strong point is the art direction and all sets and costumes- the latter will definitely be a major contender for awards this season. Visually, few bad things can be said about it- I personally didn't find any flaws although I am sure some will. The cinematography is stunning, the use of close-ups and interesting shots makes the film much more magical and attractive and that gives the characters more life and passion. The score has the same details as Atonement, like, for example, the use of stamps as part of the orchestral piece. It works very well with the rest of the songs to create the atmosphere required for an Imperial Russian drama.

I do want to mention the dancing scenes- I particularly liked them because of how it was directed, but also because of the choreography and the lovely use of hands. It felt quite magical, like you were in a fairytale and everything floated gracefully; it all culminated with a much more frantic, angry moment of jealousy and passion, and that was beautifully scored, too.

The casting was quite on point, with few bad choices. Kera Knightley, as the main character, Anna Karenina, did an amazing job, but still, she didn't impress or stand out for me. Don't get me wrong, everything was very well acted, but I don't feel this is a memorable or awards worthy performance. As for Aaron Johnson, the Count Vronski, I started off thinking something's not right with him- it felt too gimmicky, not quite convinceable, but by the end I warmed up to him. He did a good job overall, especially in the second part. I think Jude Law had a challenging part, just because he had to stretch himself out of his comfort zone and it paid off- he gave a powerful, sincere performance. The standout for me was Matthew MacFayden- he shined in all of his scenes and gave a wonderful performance. I would push him for supporting actor awards, but I don't think he has any chances. The cast overall is very strong and all delivered: Kelly Macdonald, Olivia Williams, Emily Watson, Alicia Vikander, Domhnall Gleeson and so on.

As you can see, I was rather impressed by Anna Karenina- for me it worked in all levels: script, character development, performances, visual appeal, direction, entertainment, everything. But I am not saying it was perfect- one common opinion I have heard is that it isn't very consistent and that it lack some extreme emotion or passion in some parts, and I partly agree with that, but I was able to take that aside and enjoy it. I really do recommend it and I hope you like it (it will probably more entertaining for the female population than the male one, but men, please do see it).

Atonement [2007]

Based on the best selling novel by Ian McEwan, Atonement is a 2007 drama directed by Joe Wright (Pride&prejudice, upcoming Anna Karenina) from a screenplay by Christopher Hampton. It tells the story of a young couple who separate in tragic conditions, as a misunderstanding sends him to prison, but never give up on each other, as he desperately tries to go back to her, even if it costs him his life, since he is forced to join the army.

Keira Knightley plays Cecilia, the woman who shares a complex, yet passionate connection with Robbie(James McAvoy), the housekeeper's son. Their love and sexual gestures are misinterpreted by Briony (Saoirse Ronan), Cecilia's younger sister, who childishly believes the man is a sex maniac after she reads a private letter, and that assumption leads to her accusing Robbie of a terrible thing after an incident in the house. The second part of the movie concentrates on her miserable life, as she now understands the consequences of her actions and very much so regrets what she has done. The finale is bittersweet, but realistic and shows us two different endings, both happy and sad.

My personal highlight of the movie was the filmmaking quality of it. I knew from the first frame and scene that I am in for a treat, because it was masterfully shot, from the trail of miniatures figures leading to the little girl, to the revelation of miss Briony Tallis. Seamus McGarvey was in charge of the cinematography and did an absolute fantastic job- I loved everything about it: the colors, the close-ups, the speed and motion of the camera, everything. My two favorite scenes are worlds appart from each other, but both visually and emotionally perfect: first, when Cecilia and Robbie are getting ready for dinner (their anxiety, fear, love, the way the camera moves from one to another), and second, the portrayal of the ending of the war on the beach in France, the shots following the three men while they discover what has happening. I also liked the fact that some of the most important parts, story-wise or character-wise, were showed from two points of view: Briony's, and then the lover's one; it helped give more depth to the script and show different sides of the coin. Last, but not least, let me mention the sex scene in the library, which was surprisingly sensual and intense and very sexy.
                                  
The cinematography helped make the sets and costumes seem perfect and realistic, and I think it's safe to say that we can always expect beautiful visuals and art direction from Wright. The score was also a highlight for me, especially the innovative typewriting inspired instrumental, or the piano or the beating on the car.

As for the acting, considering the fact that it featured some of the best British actors in the industry, you can expect it to be brilliant. James McAvoy was just dreamy, with his impossible blue eyes and sweet charm, while Keira Knightley did a good job, although she was a little stiff for my own liking. Saoirse Ronan was a standout and you could see she was a star in the making, with her big eyes, remarkable face structure and composed attitude. Nice to see Theon there (Alfie Allen, an actor from Game of Thrones), and of course, the one, the only, mister Benedict Cumberbatch, who portrayed Paul Marshall in a creepy, het convincing way. 

Atonement is very good film that deserves your attention, even if just for the visual aspect of it. If you like drama, British actors or love stories, you are in for a treat. Check it out!

Random musings on recent film news

There was a lot of chatter around the film industry in these last couple of days about certain projects and I just wanted to talk about a few things that caught my attention and made me excited!

Plus, the To See This Summer list :)


Film news


Anna Karenina trailer
The trailer stood out immediately by its fantastic art direction and cinematography- everything looks breathtaking. It also made me want to read the book, as the extremely rapid succession of scenes seemed quite interesting and featured a lot of conflict and character development, something I always like to find in a movie. Keira Knightley is stunning and I think she will, once again, give a wonderful performance. The ones I am worried about are Jude Law and Aaron Johnson- I don't know if it's the costume&make up's fault or if it's simply the casting, but I don't really like or connect with their characters. You may say that is the point, but either way, I am not convinced, there is just something off about both of them. Despite those two, I am very intrigued and I can't wait to see the movie. The man who directed Pride&Prejudice and Atonement will always have my attention!

The Master trailer
Paul Thomas Anderson- There will be blood and Magnolia. Stop. Just take my money already, you know I want to see this movie and I haven't even pushed play. Ok. Let's see it anyway! Hmm..in true Anderson style, we have a complex, rather weird screenplay, with fantastic performances and a remarkable score...all that in 2 minutes. Yes, I will see it!

12 years a slave
Whenever I hear about this movie, I immediately think about Django Unchained- I don't know why, maybe it's because they have similar storylines, but I always connect those two. And, honestly, there is nothing wrong about that, as both seem to be fantastic and I am excited to see them. But I love 12 years a slave more for two HUGE, MAGNIFICENT, apparently PERFECT reasons: Steve McQueen is directing it and the cast is FANTASTIC (yes, they deserve caps lock). Just read the following names and try to imagine them in the same movie: Chiwitel Ejiofor, Brad Pitt, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Taran Killam, Paul Giamatti (all are amongst my favorite actors, so I am over the moon for the male casting part) + Sarah Paulson and Alfre Woodward, who are both wonderful actresses. I don't care about anything else, I will go see this movie for sure, here is the recipe for success. I love Steve McQueen and I know he will not disappoint this time, either.
IMDb link: http://www.imdb.com/title/tt2024544/

Maleficent
Angelina Jolie looks fantastic in the new still from the movie. Considering the visual quality of most re-invented Disney classics, I really want to see this, especially since it is darker and the cast is great (Sam Riley is in it and I love Elle Fanning). I am curious about the direction or approach they are going to take, especially when it comes to storyline. But 2014? why so far away?


To See This Summer list (UK release date)
- Killer Joe (29th June)
- Glastonbury the Movie (29th June)
- Magic Mike (guilty pleasure: hot men stripping, you understand, right? ) (11th July)
- The Dark Knight Rises (20th July)
- Step up 4 (call me crazy, but I like this franchise, I am sucker for dance movies and the music used for it) (10th August)
- Brave (17th August)
-Take this waltz (17th August)
- Lawless (7th September)
- Anna Karenina (7th September)

What are your thoughts about these news? What movies are you most looking forward to seeing this summer?

A dangerous method [2011]

My David Cronenberg mini marathon continued with "A dangerous method" and I was pleasantly surprised, for I saw some interesting differences between his earlier movies and this one.

First of all, the beginning was much more intense and its pace helped get into the story very quickly and start understanding the characters and the situation right away. But, I still knew it was a Cronenberg movie when I realised 16 minutes have passed, but it felt like an hour- how does he do that?

Second of all, the script was better and more diverse, featuring some very introspective and thought-provoking subjects, as expected, since the movie is about the evolution of psychoanalysis. I loved the conversations between Freud and Jung and the experiments, and it was nice to see the interaction between the two doctors, especially when they realised they have opposite opinions, which of course, led to friction and interuption of their friendship- Jung wanted to move forward and research daring topics, whilst Freud never dared to question the wonders of the world around him.

One of the highlights of this film, for me anyway, was Vincent Cassel- his character, Otto Gross, was, by far, one of the most complex and interesting, and his charming presence made the story even more fascinating and appealing. Otto had a great take on monogamy, as he considered it to be a stressful concept and his motto was "Never repress anything" (case in point, his suicidal patient); he also comes up with the brilliant explanation of why Freud is obsessed with sexuality ("He is not getting any"). But, some great things never last long, so he dissapperead rather quickly.

Viggo Mortensen, as Freud, is good, and surprisingly unrecognisable; I wasn't very keen on his performance, mainly because his character doesn't evolve, and his strict mind holds him back. I thought Michael Fassbender was great, but I never stoped to analyse him or think about what he is doing- it felt like he was a driver for the story and for the other individuals, and maybe that is a very good thing. As for Keira Knightley, I still don't know what to think of it- was it exceptionally good or bad? I can't really tell, but overall, she delivered and it fitted the situation; special mention goes to Jung's wife, wonderfully played by Sarah Gadon.

"A dangerous method" is a good movie and one that raises many interesting questions, and for people interested in psycology and psychoanalysis, it will be a treat, but I think most will think of it as being quite boring. I don't recommend it to everyone, but if you have the patience and the willingness to see a movie about these topics, go for it!

Last Night [2010]

Director: Massy Tadjedin

Writer: Massy Tadjedin

Starring:   Keira Knightley, Guillaume Canet,  Sam Worthington and Eva Mendes

It’s all about the eyes! They express all that can’t be said, all that is felt, all that is needed to know in that situation! That is what Last Night is all about: feelings- loneliness, boredom, lack of interest, longing for another, uncertainty, and especially passion and interest...and so much more!

The eyes, which help the audience see and understand the story, also translate the emotions of the 4 main characters, played by Keira Knightley, Sam Worthington, Eva Mendes and Guillaume Canet.  Joanna(KK) is married to Michael (SW), who we find out early on is attracted to Laura(EM). Soon after the departure of the husband on a business trip with the intriguing partner, Jo meets Alex(GC), a former lover who she wasn’t forgot.

Over the course of a night and with the help of some drinks, the feelings come out one by one, some hidden for years, others ignited by random looks over the table. It might seem that one hour and a half is too much for this development, but it isn’t- the script is very good and it all plays out wonderfully. Everything seems effortless, very simple, clean, the little details are what makes this story so believable and loveable. He wants to experience something new, to go into the future, she longs for a lost love, a short, but passionate affair she once had in Paris, looking backward.

I won’t ruin the ending, but I do want to acknowledge a great thing that Alex’s friend says to him at one point, and it goes something like: „you can’t take away the memories she was with him, the years spent with him....”, and it is true, in a way. Those years always haunt each other.

The performances are great (Guillaume Canet is a very charming, talented man), the script is simple, yet real and it's transformed with the help of beautiful cinematography and good direction! All in all, a movie that you check out!